This week: New Service: Advanced Audiobook Proof Check See Details

Royalty Splits: Where Label Spreadsheets Go Wrong

Every independent label knows the quarter-end ritual: the distributor statement lands, and someone opens the spreadsheet. A hundred lines of sales, dozens of tracks, each with its own deal — artist shares, remixer shares per mix, the label’s cut — and every cell a chance to underpay someone you like.

Why splits break spreadsheets

Split accounting isn’t hard arithmetic; it’s relentless arithmetic. The failure points are always the same: a remix carrying a different deal than its original, a formula dragged one row too far, a track whose split was renegotiated but whose sheet wasn’t. The result is disputes, or worse — quiet errors nobody catches.

Rules once, statements forever

Our Record Label Accounting tool inverts the work: set each track’s split rule once — including per-mix remixer shares — and every statement you upload afterwards settles itself. Drop in the distributor sheet, read the payout summary per artist and remixer, export the pay-run to a spreadsheet, done.

Private by design

A label’s revenue is nobody else’s business, so the calculation happens in your browser: sales statements are never uploaded to or stored on our systems — only your saved split rules. Your first statement is free to run; the label plan covers unlimited statements at launch pricing, with an app on the roadmap for subscribers.

Audiobook Proofing: Why It Takes Days, and How It Became Minutes

Proofing is the least glamorous stage of audiobook production and one of the most expensive in hours: someone sits with the manuscript and listens to the entire book in real time, marking every place the narration and the text disagree. An 18-hour book is, at minimum, 18 hours of concentration — usually more, because you stop, scrub back and note timestamps. Professional proof-listening is commonly priced around £12 per finished hour, so a 10-hour book runs in the region of £120 and takes days to schedule and complete.

What proofing actually catches

Strip away the mystique and nearly every proofing mark is one of three things:

  • Substitutions — the narrator read a different word than the manuscript (“mantel” for “mantelpiece”, “car” for “carriage”).
  • Omissions — a word, phrase or whole line skipped.
  • Insertions — a word added that isn’t in the text.

Each one needs a timestamp, the manuscript line, and a decision: is this a re-record, or is it fine? Then every accepted re-record has to be compiled into a pickup list for the narrator — chapter, time, reason, and the exact sentence to read again.

Problem solved

Our Advanced Audiobook Proofing tool transcribes your entire book  — your files are never handed to a third-party cloud service — and compares every word against your manuscript. The comparison is built for narration, not for text: numbers, roman numerals and pronunciation variants are matched by meaning, so “forty” read for “40” is never flagged. It was tuned on real audiobooks with a simple goal: flag what a human proofer would mark, and nothing else.

The part a machine should never do

The judgement. Every catch is presented as a card — the manuscript line against what was narrated, with the timestamp and a confidence score. You play the moment and decide: accept for re-record, or dismiss. Nothing goes on the pickup list on a machine’s say-so.

What you walk away with

Once you’ve reviewed the catches, the deliverables build themselves: a numbered pickup script in book order (chapter, time, reason, the full sentence for your narrator to re-read), a preview audio file with the original take of each pickup so the narrator can match tone and pace, and a downloadable report with timestamp and chapter in separate columns, ordered by book position, ready to edit from. A manual proofing booth is included alongside, for the marks only ears can make.

The economics

Advanced proofing is priced at £19 per audio-hour (minimum £39) — a 10-hour book is £190. Manual proof-listening at around £120 buys a single pass through the same book over several days; this is the whole book in minutes, with the pickup script, audio references and edit-ready report generated as part of the job, and the manual booth included alongside. The first 20 minutes of any book are proofed free, so you can watch it catch things on your own narration before paying anything.

Now Live: the ST Online Audio to MP3 Converter

ST Mastering has launched an Audio to MP3 Converter service that runs 24 hours 365 days a year online service that processes your files instantly — studio-grade conversion of WAV, AIFF and MP3 files into clean, distribution-ready MP3s in seconds in your browser. No apps or extensions to install, just a simple drag and drop service.

Choose 320, 192 or 128 kbps, drop in one file or a whole batch, and download the results immediately. Your first three conversions are free with an account, and passes cover unlimited use from £6.99.

It exists because still today, if we need to convert a file to mp3, we still need to choose an application, set the application up, choose the spec, save the file somewhere, find the file etc. And usually we are doing this from a desktop or laptop computer. It’s absolutely still a chore of a task to complete for a simple file converting process.

We’ve made that a bit easier, with a web service you can use from anywhere and from any device. Super handy if you are needing to convert something from files you just received on your phone. No need for applications, laptops etc. Just have your file ready, and our service does the rest.

Sharing MP3s shouldn’t stall because you havent got around to converting your audio to mp3, so you get platform-ready MP3s out, no installs, no ads, no quality issues.

Try the Audio to MP3 Converter →